{"id":2392,"date":"2021-06-14T23:15:55","date_gmt":"2021-06-15T06:15:55","guid":{"rendered":"https:\/\/theliteraryarts.com\/?p=2392"},"modified":"2025-02-04T09:31:24","modified_gmt":"2025-02-04T17:31:24","slug":"owen-barfield-a-video-presentation-by-fred-dennehy-ph-d","status":"publish","type":"post","link":"https:\/\/theliteraryarts.com\/es\/owen-barfield-a-video-presentation-by-fred-dennehy-ph-d\/","title":{"rendered":"\"Owen Barfield: El alma de una palabra\" \/ Presentaci\u00f3n a cargo de Fred Dennehy, Ph.D."},"content":{"rendered":"<p><strong>\"Owen Barfield: El alma de una palabra\"<\/strong><br \/>\n<strong>En esta grabaci\u00f3n de v\u00eddeo de 30 minutos de una reuni\u00f3n de la Secci\u00f3n de Artes Literarias y Humanidades celebrada el 5 de junio de 2021, Fred Dennehy ofrece una introducci\u00f3n al mundo y la mente de Owen Barfield.<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"&quot;Owen Barfield: El alma de una palabra&quot; \/ Presentaci\u00f3n de Fred Dennehy\" src=\"https:\/\/player.vimeo.com\/video\/560277889?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><em>\"A veces se nos pide que digamos en pocas palabras qu\u00e9 es la Antroposof\u00eda. Naturalmente, es imposible. Pero digamos en este contexto que el n\u00facleo de la Antroposof\u00eda es el concepto de la autoconciencia del hombre como proceso en el tiempo - con todo lo que ello implica.\"<\/em><br \/>\n<strong><em>- Owen Barfield, del ensayo \"The Time-Philosophy of Rudolf Steiner\" en la colecci\u00f3n Romanticism Comes of Age.<\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><em>\"La poes\u00eda difiere de todas sus hermanas en un aspecto importante: (excluyendo los valores sonoros) la conciencia es tambi\u00e9n el material real con el que trabaja. La conciencia es para ella lo que sus diversos soportes (m\u00e1rmol, pigmentos, etc.) son para las dem\u00e1s artes. . . \"<\/em><br \/>\n<strong><em>- Owen Barfield, de Poetic Diction<\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><em>\"Para un estudioso de la evoluci\u00f3n de la conciencia, es particularmente interesante que un hombre con la preceise de Goethe haya aparecido en ese preciso momento de la historia de Occidente. A mediados del siglo XVIII, cuando \u00e9l naci\u00f3, la participaci\u00f3n original pr\u00e1cticamente se hab\u00eda desvanecido. Sin embargo, desde su m\u00e1s tierna infancia mostr\u00f3 y conserv\u00f3 durante toda su vida un recuerdo casi at\u00e1vico de ella\".<\/em><br \/>\n<strong><em>- Owen Barfield, de Salvando las apariencias: A Study in Idolatry<\/em><\/strong><\/p>\n<p>&nbsp;<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<div id=\"attachment_2393\" style=\"width: 676px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2393\" class=\"wp-image-2393 size-full\" src=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/06\/image2-3.jpeg\" alt=\"\" width=\"666\" height=\"1180\" srcset=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/06\/image2-3.jpeg 666w, https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/06\/image2-3-480x850.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 666px, 100vw\" \/><p id=\"caption-attachment-2393\" class=\"wp-caption-text\"><em>Un joven Barfield descalzo<\/em><\/p><\/div>\n<blockquote><p>&nbsp;<\/p>\n<p><em>\"Barfield se eleva por encima de todos nosotros\". <\/em><br \/>\n<strong><em>- C.S. Lewis<\/em><\/strong><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>\u201cOwen Barfield: The Soul of a Word\u201d In this 30-minute video recording from a Section for Literary Arts and Humanities meeting held on June 5, 2021, Fred Dennehy provides an introduction to the world and mind of Owen Barfield. &nbsp; &nbsp; \u201cWe are sometimes asked to say in a few words what Anthroposophy is. It [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2402,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[49,12,54],"tags":[],"class_list":["post-2392","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures","category-meeting-summaries","category-videos"],"_links":{"self":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/2392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/comments?post=2392"}],"version-history":[{"count":5,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/2392\/revisions"}],"predecessor-version":[{"id":5112,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/2392\/revisions\/5112"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/media\/2402"}],"wp:attachment":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/media?parent=2392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/categories?post=2392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/tags?post=2392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}