{"id":3208,"date":"2021-12-08T18:46:07","date_gmt":"2021-12-09T02:46:07","guid":{"rendered":"https:\/\/theliteraryarts.com\/?p=3208"},"modified":"2022-08-07T21:49:27","modified_gmt":"2022-08-08T04:49:27","slug":"the-actors-process-by-fred-dennehy","status":"publish","type":"post","link":"https:\/\/theliteraryarts.com\/es\/the-actors-process-by-fred-dennehy\/","title":{"rendered":"\"El proceso del actor\" por Fred Dennehy"},"content":{"rendered":"<p><strong>\"El proceso del actor\" por Fred Dennehy<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Fred Dennehy &quot;El proceso del actor&quot;\" src=\"https:\/\/player.vimeo.com\/video\/653898711?h=c6db00503d&amp;dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><strong>Fred Dennehy<\/strong> es lector de clase y miembro desde hace muchos a\u00f1os de la Secci\u00f3n de Artes Literarias y Humanidades de la Escuela Superior de Ciencias Espirituales de Norteam\u00e9rica. Es miembro del collegium de la Secci\u00f3n. Fred es doctor en Literatura Inglesa por la Universidad de Virginia y licenciado en Derecho por Yale. Est\u00e1 jubilado tras 30 a\u00f1os de exitosa carrera como abogado. Ha actuado en m\u00e1s de 50 producciones de teatro comunitario, incluidas varias obras de Shakespeare como <em>Hamlet<\/em> y <em>La Tempestad<\/em>en la que interpret\u00f3 los papeles de Polonio y Pr\u00f3spero. Adem\u00e1s de actor, Fred es un galardonado dramaturgo.<\/p>\n<p><strong>Fred y Owen Barfield<\/strong><\/p>\n<p>Fred es estudiante de <a href=\"https:\/\/kuehlewind.org\/en\/georg-kuhlewind-en\/about-the-author\/georg-kuhlewind-s-biography\" target=\"_blank\" rel=\"noopener\">Georg K\u00fchlewind<\/a> y un entusiasta estudioso de Owen Barfield.<\/p>\n<p>V\u00eddeo de una presentaci\u00f3n de Fred <a href=\"https:\/\/theliteraryarts.com\/es\/owen-barfield-a-video-presentation-by-fred-dennehy-ph-d\/\" target=\"_blank\" rel=\"noopener\">en una reuni\u00f3n previa de la Secci\u00f3n de Artes Literarias y Humanidades el 14 de junio de 2021<\/a>.<\/p>\n<p><iframe loading=\"lazy\" title=\"&quot;Owen Barfield: El alma de una palabra&quot;\" src=\"https:\/\/player.vimeo.com\/video\/560277889?h=6ce008d537&amp;dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<blockquote><p><em>\"Todo el mundo es un escenario,<\/em><br \/>\n<em>Y todos los hombres y mujeres simplemente jugadores;<\/em><br \/>\n<em>Tienen sus salidas y sus entradas;<\/em><br \/>\n<em>Y un hombre en su tiempo interpreta muchos papeles,<\/em><br \/>\n<em>Sus actos son siete edades\".<\/em><br \/>\n<strong><em>- Wm. Shakespeare, de As You Like It<\/em><\/strong><\/p><\/blockquote>","protected":false},"excerpt":{"rendered":"<p>&#8220;The Actor\u2019s Process\u201d by Fred Dennehy Fred Dennehy is a class reader and longtime member of the Section for the Literary Arts and Humanities of the School for Spiritual Science in North America. He is a member of the Section collegium. Fred has a doctorate in English literature from the University of Virginia and a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3215,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[49,12,54],"tags":[],"class_list":["post-3208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures","category-meeting-summaries","category-videos"],"_links":{"self":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/3208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/comments?post=3208"}],"version-history":[{"count":2,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/3208\/revisions"}],"predecessor-version":[{"id":3364,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/3208\/revisions\/3364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/media\/3215"}],"wp:attachment":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/media?parent=3208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/categories?post=3208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/tags?post=3208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}