{"id":4767,"date":"2022-12-29T20:48:05","date_gmt":"2022-12-30T04:48:05","guid":{"rendered":"https:\/\/theliteraryarts.com\/?p=4767"},"modified":"2025-12-29T23:03:50","modified_gmt":"2025-12-30T07:03:50","slug":"kathleen-raine-novalis-william-blake","status":"publish","type":"post","link":"https:\/\/theliteraryarts.com\/es\/kathleen-raine-novalis-william-blake\/","title":{"rendered":"\"Kathleen Raine; Novalis y William Blake\""},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Presentaci\u00f3n en la reuni\u00f3n de la Secci\u00f3n del 26 de noviembre de 2022.<\/strong><\/p>\n<blockquote><p><strong>Kathleen Raine<\/strong>poeta y acad\u00e9mica, fue la fundadora del Instituto Temenos. En esta conferencia, analizo la contribuci\u00f3n de Raine a las artes literarias y las humanidades, y hablo de su idea de \"Tradici\u00f3n\". Utilizando a Novalis y Wm. Blake como otros dos ejemplos principales, junto con el poeta Albert Steffen, esta conferencia es otro intento de poner en marcha un debate sobre el trabajo y la metodolog\u00eda de nuestra Secci\u00f3n a medida que nos adentramos en el siglo XXI. Complementa las muchas otras entradas sobre este tema del trabajo de nuestra Secci\u00f3n (su significado y metodolog\u00eda) que se pueden encontrar en todo el sitio web, como el ensayo de <strong><a href=\"https:\/\/theliteraryarts.com\/es\/reflections-on-the-work-of-the-section-three-essays-by-vivien-law\/\" target=\"_blank\" rel=\"noopener\">Vivien Law: \"\u00bfRealmente importa el trabajo de nuestra Secci\u00f3n?\"<\/a><\/strong><\/p>\n<p>- Bruce Donehower<\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"Kathleen Raine; Novalis y Wm. Blake\" src=\"https:\/\/player.vimeo.com\/video\/784624393?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Para consultar algunos debates relacionados con los temas de esta conferencia:<\/strong><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/theliteraryarts.com\/es\/steps-toward-a-poetry-of-knowing\/\" target=\"_blank\" rel=\"noopener\">Pasos hacia una poes\u00eda del saber (Resumen de la reuni\u00f3n, 22 de abril de 2022 con motivo del cumplea\u00f1os de Shakespeare)<\/a><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/theliteraryarts.com\/es\/the-dawn-of-the-beautiful-a-utopian-future-by-christiane-haid\/\" target=\"_blank\" rel=\"noopener\">El amanecer de lo bello: \u00bfUn futuro ut\u00f3pico? Ensayo de Christiane Haid<\/a><\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/theliteraryarts.com\/es\/the-poetics-of-wholeness-by-clifford-venho\/\" target=\"_blank\" rel=\"noopener\"><strong>Hacia una po\u00e9tica de la totalidad. Ensayo de Clifford<\/strong> <strong>Venho<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>A presentation given at the Section meeting on November 26, 2022. Kathleen Raine, a poet and scholar, was the founder of the Temenos Institute. In this lecture, I discuss Raine&#8217;s contribution to the literary arts and humanities, and I discuss her idea of &#8220;Tradition.&#8221; Using Novalis and Wm. Blake as two other primary examples, along [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4768,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[49,12,54],"tags":[],"class_list":["post-4767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures","category-meeting-summaries","category-videos"],"_links":{"self":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/4767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/comments?post=4767"}],"version-history":[{"count":5,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/4767\/revisions"}],"predecessor-version":[{"id":5369,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/4767\/revisions\/5369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/media\/4768"}],"wp:attachment":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/media?parent=4767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/categories?post=4767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/tags?post=4767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}