{"id":8668,"date":"2026-03-05T08:26:15","date_gmt":"2026-03-05T16:26:15","guid":{"rendered":"https:\/\/theliteraryarts.com\/?p=8668"},"modified":"2026-03-05T08:40:05","modified_gmt":"2026-03-05T16:40:05","slug":"petrarch-an-introduction","status":"publish","type":"post","link":"https:\/\/theliteraryarts.com\/es\/petrarch-an-introduction\/","title":{"rendered":"Petrarca: una introducci\u00f3n... ."},"content":{"rendered":"<p style=\"text-align: right;\"><strong>Petrarca como \u00e1rbol cantor<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Queridos amigos,<\/strong><\/p>\n<p><strong>En nuestra reuni\u00f3n de la Secci\u00f3n del 21 de febrero de 2026, comenzamos una exploraci\u00f3n del Renacimiento italiano, el humanismo renacentista y la tradici\u00f3n literaria humanista secular que es tan importante para nuestra Secci\u00f3n y sus intereses. Aunque estamos utilizando las conferencias de Historia del Arte de Rudolf Steiner (GA 292) de 1916-1917 como punto de partida, las reuniones incluir\u00e1n de vez en cuando presentaciones que se centrar\u00e1n en el aspecto literario. Por supuesto, lo hemos estado haciendo durante todos estos a\u00f1os, pero ahora lo hacemos de una manera m\u00e1s concertada y, se podr\u00eda decir, \u201cesot\u00e9rica\u201d, con el fin de explorar \u201cRafael-Novalis\u201d a la luz de la antroposof\u00eda de Rudolf Steiner. En esta reuni\u00f3n, present\u00e9 \u201cPetrarca: una introducci\u00f3n\u201d.\u201d <\/strong><\/p>\n<p><strong>Aqu\u00ed hay un video de la presentaci\u00f3n de la reuni\u00f3n en la que introduje a Petrarca y expliqu\u00e9 por qu\u00e9 y c\u00f3mo creo que Petrarca tiene tanta importancia para <a href=\"https:\/\/theliteraryarts.com\/es\/under-the-sign-of-the-mother-raphael-novalis\/\" target=\"_blank\" rel=\"noopener\">\u201cRaphael-Novalis\u201d<\/a> y las preocupaciones de nuestra Secci\u00f3n. \u00a0<\/strong><\/p>\n<p><strong>Paul Gierlach presentar\u00e1 a Dante en una pr\u00f3xima reuni\u00f3n el 25 de abril.\u00a0<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"&quot;Petrarca: una introducci\u00f3n...&quot;.&quot;\" src=\"https:\/\/player.vimeo.com\/video\/1169443223?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>5 de marzo de 2026<\/p>","protected":false},"excerpt":{"rendered":"<p>Petrarch as Singing Tree &nbsp; Dear Friends, At our February 21, 2026 Section meeting, we began an exploration of the Italian Renaissance, Renaissance Humanism, and the secular humanist literary tradition that is so central to our Section and its concerns. Although we are using Rudolf Steiner Art History lectures (GA 292) from 1916-1917 as our [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3619,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[53,12,54],"tags":[],"class_list":["post-8668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-topics","category-meeting-summaries","category-videos"],"_links":{"self":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/8668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/comments?post=8668"}],"version-history":[{"count":3,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/8668\/revisions"}],"predecessor-version":[{"id":8679,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/posts\/8668\/revisions\/8679"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/media\/3619"}],"wp:attachment":[{"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/media?parent=8668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/categories?post=8668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theliteraryarts.com\/es\/wp-json\/wp\/v2\/tags?post=8668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}