{"id":1118,"date":"2020-10-05T01:25:00","date_gmt":"2020-10-05T08:25:00","guid":{"rendered":"https:\/\/theliteraryarts.com\/?p=1118"},"modified":"2024-05-12T09:20:16","modified_gmt":"2024-05-12T16:20:16","slug":"rilke-part1-8-part2-29","status":"publish","type":"post","link":"https:\/\/theliteraryarts.com\/fr\/rilke-part1-8-part2-29\/","title":{"rendered":"\"Uniquement dans le domaine de la louange \/ Sonnets \u00e0 Orph\u00e9e"},"content":{"rendered":"<h6 style=\"text-align: right;\"><em>\u201c<strong>The Blue Nymph\u201d by Marc Chagall<\/strong><\/em><\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h6 style=\"text-align: center;\"><strong>Two sonnets are featured in this performance video. (Part 1, No 8 and Part 2 No 29) <\/strong><\/h6>\n<h6 style=\"text-align: center;\"><strong>The second sonnet is the final sonnet of the Orpheus cycle.<\/strong><\/h6>\n<p><iframe loading=\"lazy\" title=\"&quot;Sonnets to Orpheus&quot; \/ Part 1, Sonnet 8; Part 2, Sonnet 29\" src=\"https:\/\/player.vimeo.com\/video\/379927547?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nur im Raum der R\u00fchmung\u00a0 [Only in the realm of praising]<\/strong><br \/>\n<strong>Part 1, Sonnet 8. English Translation by Bruce Donehower.<\/strong><\/p>\n<p>\u201cOnly in the realm of praising can lament go forth, the nymph of the weeping spring, watchful of our defeat, that it may shine clear on the rock that bears the gate and the altars. \u2014 See, around her calm shoulders comes soon the feeling that she be the youngest of the siblings in the heart. Jubilation knows, and yearning stands steadfast \u2014 only lament frets it yet; with maiden fingers she counts the old evils all night long. But suddenly, weird and unpracticed, she lifts into the sky, unclouded by her breath, our voice, as figuration of stars.\u201d<\/p>\n<p><em>Nur im Raum der R\u00fchmung darf die Klage<\/em><br \/>\n<em>gehn, die Nymphe des geweinten Quells,<\/em><br \/>\n<em>wachend \u00fcber unserm Niederschlage,<\/em><br \/>\n<em>dass er klar sei an demselben Fels,<\/em><\/p>\n<p><em>der die Tore tr\u00e4gt und die Alt\u00e4re.\u2014<\/em><br \/>\n<em>Sieh, um ihre stillen Schultern fr\u00fcht<\/em><br \/>\n<em>das Gef\u00fchl, dass sie die j\u00fcngste w\u00e4re<\/em><br \/>\n<em>unter den Geschwistern im Gem\u00fct.<\/em><\/p>\n<p><em>Jubel weiss, und Sehnsucht ist gest\u00e4ndig,\u2014<\/em><br \/>\n<em>nur die Klage lernt noch; m\u00e4dchenh\u00e4ndig<\/em><br \/>\n<em>z\u00e4hlt sie n\u00e4chtelang das alte Schlimme.<\/em><\/p>\n<p><em>Aber pl\u00f6tzlich, schr\u00e4g und unge\u00fcbt,<\/em><br \/>\n<em>h\u00e4lt sie doch ein Sternbild unsrer Stimme<\/em><br \/>\n<em>in den Himmel, den ihr Hauch nicht tr\u00fcbt.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Stiller Freund der vielen Fernen [Silent friend of many distances]<\/strong><br \/>\n<strong>Part 2, Sonnet 29 \u00a0(Last sonnet in the cycle). English Translation by Bruce Donehower.<\/strong><\/p>\n<p>\u201cSilent friend of many distances, feel how your breath makes more and yet more distance. In the scaffolds of dark towers: ring, let yourself sound. Whatever eats at you will take its fill in nourishment. Go; change and be done. What eats you the most? If drinking\u2019s bitter, become the wine. Be in this night the excess of enchantment, a strange encounter at the crossroads of sense and mind. And if earthly things forget you, tell the quiet earth: I flow. To the rushing waters speak: I am.\u201d<\/p>\n<p><em>Stiller Freund der vielen Fernen, f\u00fchle,<\/em><br \/>\n<em>wie dein Atem noch den Raum vermehrt.<\/em><br \/>\n<em>Im Geb\u00e4lk der finstern Glockenst\u00fchle<\/em><br \/>\n<em>lass dich l\u00e4uten. Das, was an dir zehrt,<\/em><\/p>\n<p><em>wird ein Starkes \u00fcber dieser Nahrung.<\/em><br \/>\n<em>Geh in der Verwandlung aus und ein.<\/em><br \/>\n<em>Was ist deine leidendste Erfahrung?<\/em><br \/>\n<em>Ist dir Trinken bitter, werde Wein.<\/em><\/p>\n<p><em>Sei in dieser Nacht aus \u00dcbermass<\/em><br \/>\n<em>Zauberkraft am Kreuzweg deiner Sinne,<\/em><br \/>\n<em>ihrer seltsamen Begegnung Sinn.<\/em><\/p>\n<p><em>Und wenn dich das Irdische vergass,<\/em><br \/>\n<em>zu der stillen Erde sag: Ich rinne.<\/em><br \/>\n<em>Zu dem raschen Wasser sprich: Ich bin.<\/em><\/p>\n<p>____<\/p>\n<p>Links to other Rilke Project videos:<\/p>\n<p><a href=\"https:\/\/theliteraryarts.com\/rilke-part-1-sonnet-20-dir-aber-herr\/\">Dir aber Herr<\/a> | <a href=\"https:\/\/theliteraryarts.com\/rilke-part-1-sonnet-21-fruhling-is-weidergekommen\/\">Fruhling ist weidergekommen<\/a> | <a href=\"https:\/\/theliteraryarts.com\/rilke-part-2-sonnet-1-atmen\/\">Atmen<\/a><\/p>\n<p style=\"text-align: left;\">____<\/p>\n<h6 style=\"text-align: left;\">In addition to literary studies, the local Section in Fair Oaks puts a great deal of emphasis on imagination and creativity. These performance videos arise directly from our local Section work. Some of these works were premiered at Section-inspired <strong>New Moon Salons<\/strong>. These New Moon Salons, which feature literature and music, will resume when it is safe for us to meet in person. The local Section group in Fair Oaks has inspired a sub-group of artists dedicated to the study and performance of Fairy Tales (M\u00e4rchen), Myths, Legends. Members of this artistic group also produce performance videos and recordings of poetry and drama.<\/h6>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe Blue Nymph\u201d by Marc Chagall &nbsp; &nbsp; Two sonnets are featured in this performance video. (Part 1, No 8 and Part 2 No 29) The second sonnet is the final sonnet of the Orpheus cycle. &nbsp; &nbsp; Nur im Raum der R\u00fchmung\u00a0 [Only in the realm of praising] Part 1, Sonnet 8. English Translation [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1252,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[51,54],"tags":[],"class_list":["post-1118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rilke-project","category-videos"],"_links":{"self":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts\/1118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/comments?post=1118"}],"version-history":[{"count":5,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts\/1118\/revisions"}],"predecessor-version":[{"id":6755,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts\/1118\/revisions\/6755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/media\/1252"}],"wp:attachment":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/media?parent=1118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/categories?post=1118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/tags?post=1118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}