{"id":2137,"date":"2021-04-28T19:48:42","date_gmt":"2021-04-29T02:48:42","guid":{"rendered":"https:\/\/theliteraryarts.com\/?p=2137"},"modified":"2024-08-18T22:21:05","modified_gmt":"2024-08-19T05:21:05","slug":"christian-morgenstern-an-introduction","status":"publish","type":"post","link":"https:\/\/theliteraryarts.com\/fr\/christian-morgenstern-an-introduction\/","title":{"rendered":"Christian Morgenstern : Une introduction par Clifford Venho"},"content":{"rendered":"<h6 style=\"text-align: right;\"><strong>\"Le chant nocturne des poissons Po\u00e8me de Christian Morgenstern<\/strong><\/h6>\n<p>&nbsp;<\/p>\n<p>Dans cet enregistrement vid\u00e9o d'une r\u00e9union de la Section Zoom tenue le 24 avril 2021, <strong>Le po\u00e8te Clifford Venho partage une introduction de 34 minutes \u00e0 Christian Morgenstern.<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Le po\u00e8te Christian Morgenstern \/ Introduction de Clifford Venho\" src=\"https:\/\/player.vimeo.com\/video\/542245838?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nous avons trouv\u00e9 un chemin<\/strong><br \/>\n<strong>Morgenstern<\/strong> est c\u00e9l\u00e8bre dans le monde germanophone pour ses aphorismes et ses vers humoristiques, mais il \u00e9tait \u00e9galement un po\u00e8te s'inscrivant dans la tradition mystique\/philosophique de l'art de la guerre. <strong>Novalis<\/strong>. Pendant les cinq derni\u00e8res ann\u00e9es de sa vie, <strong>Morgenstern et Rudolf Steiner ont nou\u00e9 une amiti\u00e9 tr\u00e8s \u00e9troite.<\/strong> Steiner parlait souvent et chaleureusement de son ami, et il qualifiait Morgenstern de splendide exemple d'anthroposophe. En effet, comme vous pourrez l'entendre dans la vid\u00e9o, Steiner avait une telle opinion de son ami qu'il a li\u00e9 le destin de Morgenstern \u00e0 la pose de la premi\u00e8re pierre de l'\u00e9difice de l'\u00e9glise de la ville de Paris. <strong>la pierre de fondation du premier Goetheanum.<\/strong><\/p>\n<div id=\"attachment_2131\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2131\" class=\"wp-image-2131 size-full\" src=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/04\/D842E2AA-78CD-4E8C-90BE-25A43B02A9E1.jpeg\" alt=\"\" width=\"640\" height=\"447\" srcset=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/04\/D842E2AA-78CD-4E8C-90BE-25A43B02A9E1.jpeg 640w, https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/04\/D842E2AA-78CD-4E8C-90BE-25A43B02A9E1-480x335.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 640px, 100vw\" \/><p id=\"caption-attachment-2131\" class=\"wp-caption-text\"><em>\"Premier Goetheanum\u00a0<\/em><\/p><\/div>\n<p>&nbsp;<\/p>\n<p><strong>Sous le signe de l'amiti\u00e9<\/strong><br \/>\nDans les prochaines r\u00e9unions, nous nous pencherons \u00e0 nouveau sur Morgenstern. Nous examinerons de plus pr\u00e8s ses <strong>amiti\u00e9 avec Rudolf Steiner<\/strong> et le sens que <strong>Amiti\u00e9<\/strong> avait pour les deux individus - et nous allons examiner <strong>l'importance accord\u00e9e par Steiner au sens de l'humour.<\/strong><\/p>\n<p><strong>A Rose by Any Other Name ?<\/strong><br \/>\nRappelez-vous ce best-seller (et le film qui a suivi avec Sean Connery) <em>Le nom de la rose<\/em> d'Umberto Eco ? Dans ce roman policier m\u00e9di\u00e9val, des personnes spirituelles s\u00e9rieuses commettent des crimes meurtriers graves. Tout tourne autour d'un texte myst\u00e9rieux (les livres et les po\u00e8tes sont toujours \u00e0 bl\u00e2mer, n'est-ce pas ?). <strong>un texte \"perdu\" d'Aristote sur l'humour et la com\u00e9die<\/strong> - un sujet si tabou que les p\u00e8res pieux se l\u00e8chent les doigts avec une impatience lascive ! Ah, la divine com\u00e9die ! Ces satan\u00e9s d\u00e9mons ne supportent pas le rire, comme l'avait compris Goethe. \"Dis la v\u00e9rit\u00e9 et fais honte au diable\" - avec le rire ?<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_2139\" style=\"width: 458px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2139\" class=\"wp-image-2139 size-full\" src=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/04\/image3.jpeg\" alt=\"\" width=\"448\" height=\"598\" srcset=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/04\/image3.jpeg 448w, https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/04\/image3-225x300.jpeg 225w, https:\/\/theliteraryarts.com\/wp-content\/uploads\/2021\/04\/image3-9x12.jpeg 9w\" sizes=\"(max-width: 448px) 100vw, 448px\" \/><p id=\"caption-attachment-2139\" class=\"wp-caption-text\"><em>\"Vogel Art\" Photo de Bruce Donehower<\/em><\/p><\/div>","protected":false},"excerpt":{"rendered":"<p>\u201cNight Song of Fish.\u201d Poem by Christian Morgenstern &nbsp; In this video recording from a Section Zoom meeting held on April 24, 2021, poet Clifford Venho shares a 34-minute introduction to Christian Morgenstern. &nbsp; &nbsp; We Have Found a Path Morgenstern is famous in the German-language world for his aphorisms and humorous verse, but he [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2128,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[49,12,54],"tags":[],"class_list":["post-2137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures","category-meeting-summaries","category-videos"],"_links":{"self":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts\/2137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/comments?post=2137"}],"version-history":[{"count":3,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts\/2137\/revisions"}],"predecessor-version":[{"id":3454,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts\/2137\/revisions\/3454"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/media\/2128"}],"wp:attachment":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/media?parent=2137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/categories?post=2137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/tags?post=2137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}