{"id":7081,"date":"2024-09-16T15:21:43","date_gmt":"2024-09-16T22:21:43","guid":{"rendered":"https:\/\/theliteraryarts.com\/?p=7081"},"modified":"2025-05-24T13:48:44","modified_gmt":"2025-05-24T20:48:44","slug":"the-dawn-of-the-beautiful-morning-lectures-from-day-one-of-the-2024-north-american-section-conference","status":"publish","type":"post","link":"https:\/\/theliteraryarts.com\/fr\/the-dawn-of-the-beautiful-morning-lectures-from-day-one-of-the-2024-north-american-section-conference\/","title":{"rendered":"Conf\u00e9rence de la section 2024 \/ Conf\u00e9rences principales"},"content":{"rendered":"<p style=\"text-align: right;\"><span style=\"color: #800080;\"><strong>\"L'aube de la beaut\u00e9<\/strong><\/span><\/p>\n<h3><\/h3>\n<h3 style=\"text-align: center;\"><\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #800080;\"><strong>Chers amis,<\/strong><\/span><\/p>\n<p><strong>Alors qu'un rapport complet et un \"compte rendu de la conf\u00e9rence\" sont encore \u00e0 venir, voici les enregistrements des deux conf\u00e9rences qui ont ouvert notre conf\u00e9rence de huit jours de la section nord-am\u00e9ricaine 2024. J'ai eu la chance d'avoir appuy\u00e9 correctement sur tous les boutons, ce qui m'a permis d'obtenir de bons enregistrements. J'ai eu moins de succ\u00e8s par la suite. En raison des complications li\u00e9es \u00e0 la gestion simultan\u00e9e de plusieurs t\u00e2ches tout en poursuivant les conversations et en suivant d'autres d\u00e9tails, je n'ai pas \u00e9t\u00e9 en mesure de r\u00e9aliser des enregistrements utilisables des conf\u00e9rences des sessions de l'apr\u00e8s-midi \u00e0 San Francisco. Aucun enregistrement n'a \u00e9t\u00e9 r\u00e9alis\u00e9 \u00e0 Toronto.\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #800080;\">Les textes imprim\u00e9s complets<\/span> de <span style=\"color: #800080;\">Conf\u00e9rence principale de Christiane Haid pour 2024<\/span> et <span style=\"color: #800080;\">Conf\u00e9rence de Bruce Donehower pour 2024<\/span> sont disponibles dans ce livre qui a \u00e9t\u00e9 pr\u00e9par\u00e9 sp\u00e9cialement pour nos conf\u00e9rences.<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>Si vous ne souhaitez pas lire les conf\u00e9rences, vous pouvez regarder les vid\u00e9os des conf\u00e9rences du premier jour, que vous trouverez en faisant d\u00e9filer la page....\u00a0<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<div id=\"attachment_7418\" style=\"width: 688px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.amazon.com\/Celebrating-Mountain-Essays-Bruce-Donehower-ebook\/dp\/B0DTB48C7N\/ref=sr_1_1?crid=11746NBN2G0CZ&amp;dib=eyJ2IjoiMSJ9.IagLhvzn4rcBEzg7v6B_ew.xAhwL-XMsSlqeWVkm5fx8tMSOktIIcHqfPCWmrzuNIw&amp;dib_tag=se&amp;keywords=Celebrating+the+mountain+donehower&amp;qid=1748118120&amp;sprefix=celebrating+the+mountain+donehower%2Caps%2C150&amp;sr=8-1\" target=\"_blank\" rel=\"attachment noopener wp-att-7418\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7418\" class=\"wp-image-7418 size-large\" src=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2025\/01\/mountain-front-678x1024.png\" alt=\"\" width=\"678\" height=\"1024\" srcset=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2025\/01\/mountain-front-678x1024.png 678w, https:\/\/theliteraryarts.com\/wp-content\/uploads\/2025\/01\/mountain-front-480x725.png 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 678px, 100vw\" \/><\/a><p id=\"caption-attachment-7418\" class=\"wp-caption-text\"><a href=\"https:\/\/www.amazon.com\/Celebrating-Mountain-Essays-Bruce-Donehower-ebook\/dp\/B0DTB48C7N\/ref=sr_1_1?crid=11746NBN2G0CZ&amp;dib=eyJ2IjoiMSJ9.IagLhvzn4rcBEzg7v6B_ew.xAhwL-XMsSlqeWVkm5fx8tMSOktIIcHqfPCWmrzuNIw&amp;dib_tag=se&amp;keywords=Celebrating+the+mountain+donehower&amp;qid=1748118120&amp;sprefix=celebrating+the+mountain+donehower%2Caps%2C150&amp;sr=8-1\" target=\"_blank\" rel=\"noopener\"><strong>Cliquez ici pour acheter ou pr\u00e9visualiser ce livre, sp\u00e9cialement pr\u00e9par\u00e9 pour les conf\u00e9rences de section 2024 et 2025 en Am\u00e9rique du Nord.<\/strong><\/a><\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #800080;\"><strong>Conf\u00e9rence d'ouverture de la conf\u00e9rence<\/strong><\/span><\/h3>\n<h3 style=\"text-align: center;\"><span style=\"color: #800080;\"><strong>\"L'\u00e9rudit nord-am\u00e9ricain<\/strong><\/span><\/h3>\n<h3 style=\"text-align: center;\"><span style=\"color: #800080;\"><strong>par Bruce Donehower<\/strong><\/span><\/h3>\n<p><iframe loading=\"lazy\" title=\"&quot;Le chercheur nord-am\u00e9ricain.  Que signifie travailler dans la section des belles sciences ?&quot;\" src=\"https:\/\/player.vimeo.com\/video\/1009728250?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #800080;\"><strong>Deuxi\u00e8me conf\u00e9rence d'ouverture<\/strong><\/span><\/h3>\n<h3 style=\"text-align: center;\"><span style=\"color: #800080;\"><strong>\"Beaut\u00e9, v\u00e9rit\u00e9 et bont\u00e9 : Leur signification pour les arts litt\u00e9raires et les sciences humaines\"<\/strong><\/span><\/h3>\n<h3 style=\"text-align: center;\"><span style=\"color: #800080;\"><strong>par Christiane Haid<\/strong><\/span><\/h3>\n<p style=\"text-align: center;\"><span style=\"color: #800080;\"><strong>(Traduit et \u00e9dit\u00e9 par Bruce Donehower)<\/strong><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Beaut\u00e9, v\u00e9rit\u00e9 et bont\u00e9 : Leur signification et leur importance pour les arts litt\u00e9raires et les sciences humaines\" src=\"https:\/\/player.vimeo.com\/video\/1009729314?dnt=1&amp;app_id=122963\" width=\"1080\" height=\"608\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Notre conf\u00e9rence de 2024 comprenait une excursion litt\u00e9raire pour explorer la po\u00e9tique bior\u00e9gionale et l'histoire litt\u00e9raire de l'Alta California \u00e0 Big Sur.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_7086\" style=\"width: 910px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.torhouse.org\/\" target=\"_blank\" rel=\"attachment noopener wp-att-7086\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7086\" class=\"wp-image-7086 size-full\" src=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2024\/09\/IMG_5280.jpeg\" alt=\"\" width=\"900\" height=\"675\" srcset=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2024\/09\/IMG_5280.jpeg 900w, https:\/\/theliteraryarts.com\/wp-content\/uploads\/2024\/09\/IMG_5280-480x360.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 900px, 100vw\" \/><\/a><p id=\"caption-attachment-7086\" class=\"wp-caption-text\"><strong>Christiane Haid, chef de section, en compagnie du po\u00e8te Elliot Ruchowitz-Roberts (directeur de la Tor House Foundation) \u00e0 la Robinson Jeffers Tor House. Cliquez sur l'image pour plus d'informations.<\/strong><\/p><\/div>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/theliteraryarts.com\/fr\/night-music-2025-section-conference-highpoints\/\" target=\"_blank\" rel=\"attachment noopener wp-att-7084\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-7084 size-medium\" src=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2024\/09\/IMG_7625-300x225.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_7129\" style=\"width: 910px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.torhouse.org\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7129\" class=\"wp-image-7129 size-full\" src=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2024\/09\/IMG_4320.jpeg\" alt=\"\" width=\"900\" height=\"675\" srcset=\"https:\/\/theliteraryarts.com\/wp-content\/uploads\/2024\/09\/IMG_4320.jpeg 900w, https:\/\/theliteraryarts.com\/wp-content\/uploads\/2024\/09\/IMG_4320-480x360.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 900px, 100vw\" \/><\/a><p id=\"caption-attachment-7129\" class=\"wp-caption-text\"><strong>Le lit o\u00f9 est mort le po\u00e8te moderniste Robinson Jeffers. Le lit se trouve dans la Tor House \u00e0 Carmel que nous avons visit\u00e9e avec un petit groupe de coyotes-po\u00e8tes apr\u00e8s l'\u00e9v\u00e9nement de San Francisco.<\/strong><\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>9.16.24<\/b><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;The Dawn of the Beautiful&#8221; &nbsp; &nbsp; Dear Friends, While a full report and a &#8220;Proceedings of the Conference&#8221; lie yet ahead, here are recordings of the two lectures that began our eight-day 2024 North American Section Conference. I was fortunate to have pushed all the buttons correctly, and I was able to get good [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2680,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[12,52],"tags":[],"class_list":["post-7081","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-meeting-summaries","category-section-news"],"_links":{"self":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts\/7081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/comments?post=7081"}],"version-history":[{"count":5,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts\/7081\/revisions"}],"predecessor-version":[{"id":7981,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/posts\/7081\/revisions\/7981"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/media\/2680"}],"wp:attachment":[{"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/media?parent=7081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/categories?post=7081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theliteraryarts.com\/fr\/wp-json\/wp\/v2\/tags?post=7081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}