Novalis et l'art curatif du conte de fées

“The fairytale is the touchstone of poetry . . . everything poetic must be like a fairytale. The poet worships chance.”

- Novalis

“The fairytale is mightier than philosophy.”

— Bruce Donehower, after Novalis

This 20-minute lecture video is from a Meeting of the Section for the Literary Arts and Humanities held on November 20, 2020. At the bottom of the post are performance videos in English and German of the fairytale “Hyacinth and Rosebud” by Novalis.

Novalis thought very highly of fairytales. Much of what Novalis says about the spiritual importance of fairytales is echoed by Rudolf Steiner one hundred years or more after Novalis died. This is entirely in keeping with the extreme importance that Rudolf Steiner gave to Novalis — for example in the Last Address.

One of the most arresting statements made by Rudolf Steiner about the fairytale is that “fairytales can help counter illnesses.” Nous trouvons cette déclaration dans le livre Le monde des contes de féesqui est présenté dans la section Livres de ce site.

Version allemande :
Hyazinthes et Rosenblütchen de Novalis

“In a genuine fairytale, everything must be miraculous, mysterious, and interrelated; everything must be alive, each in its own way. The whole of Nature must be wondrously blended with the whole world of the Spirit. In fairytale, the bonds between anarchy, lawlessness, freedom, the natural state of Nature make themselves felt in the world . . . The world of the fairytale is a world which is opposed throughout to a world of rational truth, and precisely for that reason is it so thoroughly an analogue to a world of rational truth, as Chaos is an analogue to finished Creation.”

- Novalis

"Pauvre enfant, qui n'a pas encore aimé !"

L'image ci-dessus est de William Blake. Contemplez-la un instant. (Blake et Novalis ont beaucoup en commun - ils étaient contemporains.) Contemplez cette image et imaginez que vous portez sur vos épaules un enfant tel que celui-ci. L'enfant est-il heureux ? Triste ? Effrayé ? Inquiet ? En colère ? Malade ? L'enfant fait-il une crise, ou peut-être a-t-il peur du monde ?

J'ai toujours été fasciné par une remarque faite par Novalis in which Novalis said that Goethe’s Conte de fées [Le serpent vert et le beau lys] is “Opéra narré.” Not opera in a total musical form, but narrated opera, Novalis says. Spoken opera. Usually when I tell my musician friends that I am making fairytale videos with speech artists in Fair Oaks – tiny “narrated operas” – they smile and say: “Oh good! I’ll give them to my grandchildren.” But these tiny narrated operas are for adults! As Novalis and Rudolf Steiner pointed out, every adult needs to hear a true fairytale in the right way! Every adult has a child inside, as Steiner pointed out – a child who needs to hear the true fairytale, repeatedly. But maybe the adult doesn’t let the child listen to such stories. Oh my! How sad! The adult would rather explain the deep hidden meanings in the fairytale and say wise things or teach lessons – but the child only wants to enjoy a narrated opera.

"Göthes Märchen ist eine erzählte Oper."

- Novalis

“There is a great difference in whether or not one has as a child grown up with fairytales. The soul-stirring nature of fairytale pictures becomes evident only later on. If fairytales have not been given, this shows itself in later years in weariness of life, in boredom. Indeed, it even comes to expression physically: fairytales can help counter illnesses. What is absorbed little by little by means of fairytales emerges subsequently as joy in life, in the meaning of life – it comes to light in the ability to cope with life, even into old age. Children must experience the power inherent in fairytales while young, when they can still do so. Whoever is not capable of living with ideas that have no reality for the physical plane, “dies” for the spiritual world.”

- Rudolf Steiner